Carp, Dragon, Generals

This is the Chinese Garden by South Seattle College in West Seattle, on an almost deserted Thanksgiving weekend during covid.  

Things to find if you click to enlarge: a giant carp called the dragon carp (from the legend that any carp that could climb the cascades at Dragon Gate on the Yellow River in Hunan would be transformed into a dragon), two terra-cotta generals, the downtown Seattle skyline, and two lions. 

AGON Again

 

I enjoyed John Harper’s original version of AGON, but I never ran or played that version. I’m quite a bit happier with the second edition. My capsule review would be: “AGON is as much fun to play as it is to look at. And it’s gorgeous.” A tip of the helmet to the illustrator and layout artist—oh wait, that’s all John Harper too, ennit? Well, a tip of the helmet to co-writer/designer Sean Nittner and all the Evil Hat people and other friends who helped get the game out, then. 

I’ve been running two campaigns, both for six players. Well, seven players if you use AGON’s counting method, since the ref counts as the Strife player. AGON mentions that the system creaks a bit with over five players, but both groups have been going well.  It’s possible that it’s working smoothly because neither group has high expectations for speed. The Stormcrusher group (and no, Zeus wasn’t happy about the name of that ship) has two players who are entirely new to roleplaying, so explanations and deliberation are a natural part of the session. The other all-veteran group loves to chew the scenery so AGON’s extended storytelling riffs have kept everyone entertained.

It’s also true that I’m running the game differently than I would for fewer players. I’m adding more threats to the Battle sequence, so that there’s more at-risk even though the higher number of players makes it more likely that at least one of the heroes will win. I thought I’d frequently split the party during the Trials stage, but the players have resisted that, sometimes for roleplaying reasons and sometimes because they’re metagamers. Instead I’ve spun out separate microstories from the same challenge with the understanding that some challenges play out over long periods of time. I’ve also skipped entire phases of the battle and jumped past 50% of an island’s possible story to keep things on track, but no one has noticed a problem so although the system may be creaking, it’s not audible to the players.

Mostly the tone has been delightfully archaic. I had to suffer through a few installments of the Tales of the Silently Gliding Prius, the result of asking the veteran crew to name their ship ‘something Greek,’ but last session, Jonathan Tweet's hero, WEIRDTALKINGKETALOS, failed to prevent a giant serpent from smashing the Prius to bits, so I’m looking forward to the next installment of the campaign now known as Tales of the Serpent’s Fang.

Kussen Verboten

 

Ruby Beach is one of the most beautiful beaches in Washington. This panorama shot is from 2017, catching a moment when Lisa, our dog Roo, and my cousin and her husband were the only people in the panorama.

We saw amusing evidence of Ruby Beach’s international appeal on this trip. We just missed the people who scratched this message into the sand, so we can’t be 100% sure they were German.

But we were positive of the language spoken by the next three people to arrive. Three French folks showed up as we were admiring the no-kissing sign and immediately started scratching a response in the sand to the south.

I’m still bummed we didn’t stick around to read the French response, but we were running late and maybe a little cold and we kept walking.

Appropriate French responses accepted here!

The Zoomswoop Virtual Tabletop

I've been running more games than ever before during this pandemic. At the moment, I've got a usually-weekly 13th Age game and a more-or-less biweekly 13th Age Glorantha game. I realize that many people run games a lot more often than that; I can't claim to be a prolific GM!

Instead of using Roll20 or Fantasy Grounds or Astral VTT, I've been using what I call zoomswoop. For the talking and the non-combat roleplaying, I'm one of the talking heads on the group video call. When it's time to roll initiative, I swoop my camera down near a battlemap, set up the minis, and until the battle's over I play action-puppeteer with everyone's miniatures and my monsters, with occasional camera call-backs for hand gestures and body language cues.

I admit I kind of love it. When I'm responsible for moving all the miniatures, hypothetical moves and stutter-step fakes abound. The barbarians shake with rage, the necromancer cowardly turns his back as he runs away, and the dwarf ranger's loyal and ridiculously effective monitor lizard ends up leaning on its boss or climbing atop the enemies. Interpreting character actions with tiny adjustments is fun, and the players focus on their actions, their dialogue, and their smack-talk. Plus I get to pan the camera up every time the ridiculously large escalation die gains a pip. 

Two cameras would work. But using a single-camera swoop lets me keep my I'm-thinking-face off camera part of the game. People know that when I bring the camera back up to talk it's gonna be important. 

I suspect that lots of other people are doing the same thing w/o feeling the need to coin a term for it! But maybe not. My players expected to be using a virtual tabletop and some have been surprised that the zoomswoop works. 

[aftermath of the battle when the PCs caught up with the Crusader pipers who had taken the head of Inigo Sharpe into an ancient draconic battlefield; escalation die at left]

A Blue Sea Picture for Smoke Sky Days

This is a picture from better times on the West Coast. It's a stained glass masterpiece by our friend Steve Carlyle. Every day is better because we're around it any time we're in our living room. 

Northumbria's Markland: Music for work, and exploring continents

I've become fond of the Cryo Chamber dark ambient label, available on Bandcamp. My favorite album in the genre, so far and by far, is Northumbria's Markland, the second of three albums focused on Norse journeys to North America. I could type awhile about its moody sweep and beautiful soundscapes, but I'm no music critic, and it turns out that the album was selected by Simon Heath, who runs the Cryochamber label, as one of the label's ten notable productions. He wrote about Markland quite well here, an interview that contains something like two hours of samples from the Cryo Chamber label.

The same interview reveals that Heath started composing music to accompany sessions of the KULT roleplaying game! Years later, after the Kickstarter for the second edition of KULT, Heath found out that it wasn't a one-way relationship: "Talking with the authors [of the new edition], I found that they would at times listen to Atrium Carceri while writing--the loop of inspiration had come full circle . . . . "

Of the ten albums Heath chose for the label showcase, there's a long Hastur piece that comes with a 20 page booklet and an alien visitation album that does not go well for humanity called Visitors, by Eximia, made of field recordings from Eastern Europe. That's another of the albums I listen to fairly often while working. Visitors isn't surprisingly uplifting, like Markland, but sometimes an alien invasion is the write-soundtrack.

Today, May 1st, Bandcamp is giving 100% of all proceeds to the artists! Check out bandcamp.com for a whirling presentation of the albums being sold right now. If you miss today, Bandcamp is still awesome as a way to listen for a long time and decide if you want to buy.

Monster Design Tools: Using Size/Strength as Well as Level

Igor Coura asked a question on Twitter that’s better answered in prose. Igor is in the middle of converting some monsters from other F20 games to 13^th Age, and found himself wondering why we use the category of large monsters to mean “twice as powerful as a normal monster.” Other F20 games tend not to do it that way, when they want a more powerful monster they just use a higher level creature.

13^th Age monster levels determine the important stats that shape every combat: attack bonus, defenses, and hit points. We created the extra-knob for double-strength (and even triple-strength) monsters because we wanted certain monsters to survive longer in a fight, to have more weight as something that the PCs have to take seriously. If you add a couple levels to a monster, it certainly has to be taken more seriously, but as monsters (and PCs) gain +1 attack & defenses each level, the leveled-up monster is also going to be harder to hit and have a much easier time hitting the PCs.

Fighting higher level monsters is certainly one experience. Fighting tough monsters of your own level is another experience. Therefore, when we decided we wanted both experiences in the game, we seized upon the somewhat obvious idea that a bigger creature of a certain level might be tougher than a normal-sized creature of a certain level. Large creatures that are double-the-hit-points-and-damage are part of the story our system is telling. Players can generally count on discovering that large creatures are twice as tough as normal sized creatures, and huge creatures might be three times as tough.

We’ve really liked the impact of having double-strength monsters, so much so that in books after the 13^th Age core rulebook we introduced double-strength creatures that aren’t large. We just wanted to be able to emphasize that a named NPC monster was tougher than the rest, or that a particularly puissant spellcaster or wrecker was going to be twice or three times as much trouble to handle.

We didn’t stop there. 13 TrueWays added weakling monsters, creatures that were only has as tough (hit points and damage) as normal monsters. They’re tougher than mooks, and can’t be killed in batches like mooks, but they’re deliberately not as serious a problem as normal antagonists . . . while still using the attack bonuses and defenses that sit in our game’s sweet spot. That felt right for a couple of the new devils invented by Robin Laws, creatures that have abilities that can be serious campaign problems but their raw combat stats aren’t the point. (Shout out to the honey/slime devil, one of which became the star recurring villain of my 13^th Age Glorantha campaign when reskinned as a Lunar Chaos priestess.)

And speaking of 13^th Age Glorantha, that’s the book where we introduced elite creatures, creatures that are half again as tough as a normal monster of that level. That power level felt exactly right for the Thanatar acolytes—and it’s telling that when I supplied the final hit points/numbers for Ruth Tillman’s similarly spooky jackal priests of the Great Ghoul in 13th Age Bestiary 2(page 123), elite status seemed right. The elite 150% mark is great for extremely dangerous combatants or leaders who you still want to encounter as part of a larger group. Double-strength and large monsters tend to eat up the building-battles possibilities while elite creatures supply some of the same punch while appearing in threatening numbers.

That’s the point of having monsters at different strengths at the same level: to give GMs flexibility when building battles. Well-built battles tell different stories, stories that feel much different when fighting mooks, weaklings, elite, large, or triple-strength enemies. Variable strengths work along with monster-level to provide multiple dials we can adjust each battle and each adventure. 

Alphabet Prime Music: A Familiar Thermal

A second batch of songs from my playlist of 224 nothing-but-favorites, this time with a Sesame Street style insistence upon the letter A. As usual, it was the music that got me, the videos are a delivery system.

A Familiar Taste
Trent Reznor & Atticus Ross; The Social Network
My favorite song from an excellent dark soundtrack.

A Long December
Counting Crows; Recovering the Satellites
I had a friend named Rob tell me he hated this album because it was too whiny, despite the fact that he'd loved Counting Crows' first album. Therefore I listened to the album that Rob liked and found that it was insufferably whiny. We detected a pattern.

A Pillar of Salt
The Thermals; The Body, the Blood, the Machine
Logan Bonner introduced me to this band. We saw them in concert at least once, but the venue was so bad I'm not sure it counts. This is probably still my favorite of their albums, though More Parts Per Million is close.

A Sort of Homecoming
U2, Wide Awake in America (Live)
More than once, friends who were contentedly playing games or hanging out at my house while this playlist was rolling freaked out when U2 surfaced. I understand their hatred, but can't share it. Maybe they hate it because the song is good to sing in the shower. Or because they heard me singing it in the shower.

Playing Three-Dragon Ante Across Two Zooming Tables

Last night we played four-player Three-Dragon Ante in two households. We played with Ann and Rob Dorgan, friends you'll find in the 3DA: Legendary Edition playtester list. Ann pushed past my qualms and we tweaked the game on the fly. 

If you feel like playing 3DA across multiple physically isolated tables, here are some recommendations for a two-table game.

First, I think you need at least two players per table. The ideas that follow assume you don't have any single-player tables mixed in.

Tracking Gold
You're going to need to figure out how to keep track of everyone's gold across split tables. We dared to maintain the game's physical presence by creating stacks of gold for the players across the Zoom-divide and moving gold in and out of both stacks, banking for the players who weren't in the room. It worked, usually, but we clearly weren't entirely up to the process, the game is too distracting to perfectly track coin-movement for players who aren't in the room. So if we do it again, I'm going to vote to have a banker who will keep track of all gold, probably on a google doc or the like, though it could be on paper.

Gameplay
Unless otherwise mentioned, the normal rules work! (But tell me if you play and run into issues we didn't.)

Deck Preparation
Each table creates its own deck using the 70 standard cards and 10 random Legendary cards. Yes, the game could end up with two Druids, one per table!

Camera Set-Up
Set up the cameras and computers so that the flow clockwise around each table matches the positioning of the video of your friends in the far room! It needs to be obvious which players are on your left and right, everyone will have one side occupied by a player beside them and one side occupied by a player in the other room, unless a table has a third player sandwiched in between.

Strength Flights
Go ahead and let Strength flights pick up the ante cards at their own table, if any. If there aren't any left, that's too bad.

No Stealing or Gifting Cards Across Tables
The specific card power revisions below nearly always hinge on the fact that we aren't stealing or passing cards from one table to the other. A power that's going to steal a card from the player next to you at your own table can work the same as ever, but if the card would steal from a player in the other room, it's going to have a slightly different effect.
    The card revisions that follow also apply to Legendary versions of the same powers.

Brass Dragon: If the player to your right isn't in the room, they just give you the gold instead of having the option to hand over a stronger good dragon.

Bronze Dragon: Take the weakest card from the ante at your table. Then draw a card. If there are no cards left in the ante at your table, just draw a single card.

Green Dragon: Same situation as the Brass. If the player on your left is in the room, they can choose what they want to give you. But if they're at the other table, they just pay you the gold. The Green Schemer's left-and-right version of the ability can end up with one opponent being forced to pay and one opponent getting to choose.

Red Dragon: If the strongest opponent is at the other table, they must discard a random card. Well, let's be clear: the opponent next to them chooses a random card from their hand and discards it, because that's more aggressive, like stealing! For fun, everyone sees the card that got discarded. And then you, the player who triggered the Red Dragon, get to draw a card and keep it secret.

Illusionist: Maybe don't play with this one!  This card is all about the fun of swapping Mortals and it's hard to swap across tables, so I'd say you should feel free to skip it, take it out of the game before you choose the 10 random Legendary cards. But if you do play with it, and are prepared to hurt your brain just a little, you could say that it works normally if you swap at the same table . . .and if you swap to the other table, then you all have to use your virtual reality parallel-thinking skills to swap the Mortals for the duration of this gambit. At the end of the gambit, the two Mortals go their tables' discard piles as normal, but for part of a gambit you were caught in the ill-uu-shee-on.

Johnny Reb, Dana Lombardy & Glorantha

As a younger dude who hadn’t entirely grown into game designer boots, in mid 1996 I got a job at Chaosium as Greg Stafford’s right-hand man for publishing Glorantha. Positioned on the right-hand, I learned that neither the left hand, nor the checking account, nor the pockets, nor any other chunk of Chaosium, had money to pay freelancers for work they produced within, oh, maybe three years if all went amazingly well. So, my Glorantha work was mostly about shutting projects down.

But Greg’s dream was that Giovanni Ingellis and his company, Stratelibri, from Italy, were going to produce a Glorantha miniatures game. Stratelibri hoped to challenge Warhammer, go big or stay home. But it wasn't something we could start working on at Chaosium. Giovanni wanted to design our Glorantha game, that was his dream, and in return he would fund it.

So I dove into the world of miniatures gaming. I’d already been turned on to a clever ancients/medieval game called Armati by Jon Kovalic, of all people, who for a brief time helped put out an Armati fanzine. But I’d missed the brilliantly abstracted DBA (De Bellis Antiquitas, which I still love) and its wooly ancestor (WRG 7^th Edition, which Charlie Krank & friends introduced me to in Charlie’s game garage). About the same time, Scott Schneider of Chicago introduced me to Great Battles of History, the GMT ancients wargame that plays a lot like a minis game with counters.

Closer to home in the Bay Area, Chaosium’s friend Dana Lombardy wanted to teach me to play Johnny Reb. I put him off for a little while. I believe I was thinking that a regimental American Civil War minis game wasn’t all that relevant to a supposed rival to Warhammer.

the rules at the time; these days some gamers prefer John Hill's newer rules, Across a Deadly Field

After work one day, Dana set up a giant battle (well, giant to me!) and we played for several hours. I'd played write-orders-then-execute-them wargames before, but Johnny Reb improved greatly on that model with face-down order counters executed in a timing sequence that created a dynamic battlefield. Dana was enthusiastic and helpful and wanted to help the Glorantha minis project take off. I remember the Johnny Reb game fondly. Which is ironic, because at the time I was nowhere near appreciative enough.

Dana, closer to now

I was caught up in the strange dance steps of preparing to produce a game that I wasn’t allowed to think about designing. Greg was focused on turning out orders of battle for the various combatants in the Hero Wars, particularly the Lunar Empire. (Some of this work has recently resurfaced in Martin Helsdon’s The Armies & Enemiesof Dragon Pass.) Giovanni of Stratelibri wouldn’t talk about the Glorantha minis game until I visited him in Italy. I thought that was unhelpful, but hey: free trip to Italy!

Giovanni, someone I'm glad to have met

The trip was delightful, Stratelibri were gracious hosts and just meeting and hanging out with Giovanni was splendid in a life/historical sense. But the minis business rolled a fumble. It turned out that Giovanni didn’t actually have time to design anything new, he planned to re-purpose a quirky little cyberpunk skirmish system he’d created years earlier. It hadn’t really worked as a cyberpunk game and I didn't think it was going to work as a Glorantha game. I hadn't really expected to challenge Warhammer but I'd at least hoped to take advantage of Greg’s work on the military histories of Dragon Pass. 

By the time I had returned to California, Giovanni had regretfully pulled the monetary plug because of a) problems with Magic: The Gathering; b) store expansion plans; c) knowing the Glorantha project wouldn’t work; d) choose your own adventure. That was when nearly everyone at Chaosium got laid off thanks to the Mythos over-printing disaster.

But back to Dana. He was on hand, helpful, and would have been one of the best people in the world to talk with about miniatures and wargame design. I stumbled along without recognizing that Dana’s presence in the project was a lucky penny that I should have flipped many times. On the bright side, my mistake wasted less of his time than if I'd understood what I was doing. 

You can find links to Dana’s doings here. If you grab a copy of Green Ronin’s wonderful 100 Best HobbyGames, edited by James Lowder (now of Chaosium!), Dana wrote up Johnny Reb on page 157.

Coining the Coronavirus: Terms that Might Be Useful

Cultures are going to change. Not just ours, everybody's.

I've heard a couple new uses of language and there will certainly be more. I don't expect that the terms I've started using work for anyone else, but they provide a less-boring way to talk about changes-in-progress. 

It's easy to go dark very quickly in the coronavirus hole, so this note on vocabulary is deliberately on the lighter side. That's probably helped by the fact that I'm not in on medical jargon. 

baabaas: What I'm calling ironically vulnerable populations, demographics, and politicians who have made the mistake of listening to the wrong leader, against their own survival prospects. For the term to apply, both conditions need to be present, so most applicable to elderly religious organizations and states like Florida, Mississippi and Alabama. 

bc: Before coronavirus. I've heard this used already. It feels right. I'm not at all sure that 'ac' will go anywhere, it feels more like there's a bc and a now. 

cv: Sorry, curriculum vitae, your stuff has been taken. 

cv-lite, cv-medium, heavy cv: One way to phrase the virus' levels of effect. 

  cv-lite is asymptomatic or about as much trouble as a regular cold for only a couple days. 

  cv-medium is a multi-day problem, heading into weeks, but not involving marked difficulty breathing. Maybe a little but not much. (If what I've been having this last week is actually cv, it's looking like cv-medium.) 

  heavy-cv is high fevers, trouble breathing, complications with pneumonia, and so on. In Seattle, you can maybe eventually get tested if you're in the middle of heavy-cv. 

cv-maybe: The status of suspecting you have had cv but not having been tested and therefore not likely to be sure anytime soon, as of early April in the USA. 

emissary: Someone friendly and helpful who tested positive already, survived, cleared the time limits and is now running errands and shopping for friends and family. Eventually emissary status probably needs to be extended officially into being able to return to work, but that's future-talk. For now, emissaries care for their community. 

mask-maker: Self-explanatory, but relevant to both private individuals and larger organizations like NanoLeaf. Maybe also useful to describe companies and organizations that are converting to making medical supplies instead of what they usually make. 

necromancer: Politician or pundit who argues that those most vulnerable to the virus should be willing to greatly increase their risk of death so that everyone can get back to work and keep the economy rolling. Not necessarily applicable to every scientific argument that heads this way, but definitely applicable to talk show hosts and politicians who claim they'd be willing to die to save the economy so everyone else should be too. 

returner: Version 1) Player who left a familiar roleplaying group behind because of a move or other circumstance, who is now returning to the table because everyone has to be online, not just them. 

   Version 2) Future possibility: what emissaries could become, people with antibodies against cv who get to return to wider life and helping people without worrying about spreading the disease; requires wide distribution of antibody tests and yes, hopefully science that proves that antibodies matter. 

tree-counting: Paying too much attention to the reported numbers of cases, because the forest is so much larger than the trees. Only positive tests make it into the numbers, and tests that are pending don't make it into the numbers yet, and so many people are asymptomatic. Morgues and mortuaries in the USA, at least, may be a bit of a Wild West in terms of how deaths can be classified, perhaps especially in places that don't want to have cv deaths. 

I said I'd stay on the lighter side, so I'll sign off with links to two good things. 

First, an article about communities bonding to fix problems that government isn't. 

Second, a link to the Humble Bundle of games and gaming books that's sending all its proceeds to organizations fighting cv. 

Birthday Games

When I was a kid, my family used April Fools Day as the reference point to track my end-of-March birthday. Last year, in sunnier times, I had a big birthday party, something I usually avoid. To make it sing, our friends Elise & Aaron let us use their big-enough-for-a-big-party-house. Of course Elise went one step further: she arranged a birthday piñata, stuffed with something for everyone: Kinder eggs, fruit snacks, gluten-free cookies; chocolate truffles, dinosaurs, and so on. You can see the birthday piñata below. Elise went to the internet to find a picture of me to hit, so of course she ended up with my blog's Diabolic Tutor face, minus the tutor. 

I love this Harlequinade of a photo that Lisa took while the teenager-most-likely-to-slay-the-pinata was taking his second turn. A great ending to a wonderful party.

Earlier in the party we played a game I can share. It's a human bingo game, meant to be played when you're lucky enough to be able to gather a large number of friends who don't all know each other. Lisa brought it into our lives from working in environmental education and we've used it for several big parties, including the intermission at our wedding. 

The hosts make a bingo card ahead of time with items oriented towards people they expect to see at the party. If you've got kids attending, you make sure to include a number of questions that kids will be likely to qualify for, because kids turn out to be highly active participants, buzzing between circles of adults and helping make all new introductions. 

As the card says, you're looking for signatures from party-goers who can say "Yes, I did that," and each person can only sign your card once, so you gotta mingle. Some people play super-competitively until they've scored a bingo, others fill the card. Choose the right categories and you ensure you're going to hear interesting stories. 

Here's the card from last year's game . . . .

How Things End: Two Rereadables

I don't reread books often. When I do, there's something special going on. Here are two books I've reread and will soon reread again.

For the Time Being, by Annie Dillard
Earlier in life, I was so inspired by passages in Dillard's Pilgrim at Tinker Creek that I started seriously attempting to write. One of my college-professors slammed me for giving her "belle-lettristic" essays and after she explained the meaning of the term I had to admit that writing pretty letters sounded like a plan.

For the Time Being is the philosophy of being and mortality by a writer capable of beautiful letters who can also strip subjects down to startling fundamentals. The metaphors for the differences between single tragic deaths and mass catastrophes will stick with you forever. I reread the book after the Japanese tsunamis and I suspect I'll look at it again soon. Not my original copy: that I left on a plane after I'd started writing poetry in it, so someone out there has a copy that's plus/minus my interstitial poems.

The summary of For the Time Being on Amazon is excellent, and will tell you if you're interested if my words have not.

The Hydrogen Sonata, by Iain M. Banks
Banks' last Culture book is about a civilization figuring out how and if it's going to transcend. It's also about a musician and the instrument she carries that's devoted to attempts to perform a single impossible piece. I've had other Banks fans tell me they didn't like this book that much, but I love it, and some of its observations are right up there with Dillard, not to be forgotten.

If you can order from your local bookstore, do it.

And if you read on Kindle, The Hydrogen Sonata is on sale today as a Kindle deal.

Guest Post: Tweet's Projects

Since Jonathan Tweet is temporarily between blogs, he occasionally posts on game design here. He's something of a minimalist so I added italics and boldface.

Jonathan says. . . .

Here’s a list of my current projects, from a game that’s done and in the publisher’s hands to games that are just in the beginning stages of design. I always have several projects “live” at a time, although sometimes a single project takes over most of my schedule. Over the next months and years, here’s what you might see from me. 

Design complete: A science-oriented kids’ game with a new publisher. 

Largely complete: Sourcebook for a new publisher, offering a new take on a well-loved setting. 

Design underway: A new edition of Everway, where I can apply what the free-form roleplaying game design community has learned and invented over the last 25 years. Working with the Everway Company, comprising people I’ve known since Everway’s debut. 

Underway: Monthly 1,000-word essays about my history in RPG design, posted on EN World. 

Underway: Sourcebook for another new publisher, also offering a new take on a well-loved setting.  

Underway: In the tradition of Grandmother Fish, another lovable picture book that teaches evolution science to pre-schoolers. 

Maintenance: Every year, I update the content of the game-design course I teach each fall through the University of Washington. 

Beginning stages: Head-to-head card game. Latest brain storm. 

Beginning stages: A story-oriented supplement for 5E with a new publisher. 

Beginning stages: Possible relaunch of a quirky trading card game from the 90s. 

Back-burnered: Non-fiction book, Jesus for atheists. 

Alphabet Prime Music: Numbers

My Alphabet Prime playlist contains 224 (and counting) songs that at one point or another have been my favorite. Everything that comes up is worth hearing again. I can press repeat or just let it roll, knowing that I’ll like the next song just as much, though perhaps in an entirely different way.

I’m going to run the playlist in my blog, serialized a few songs at a time. If there’s a story that goes with a song, I’ll tell it.

I originally created the list working alphabetically by band, but it’s more interesting to move through alphabetically by song. I'm using links to videos, but in nearly all cases, my affection came from the music.  

45

The Saturday Knights; Mingle

Best to say nothing and let this song’s lyrics rumble for themselves! They’re a Seattle/Tacoma group and haven’t released anything recently. The entire Mingle album is great.

100 Years

Vagabon; Infinite Worlds

So new to me I haven't gotten around to checking out her second album. 

6 A.M. Jullandar Shere

Cornershop, Woman's Gotta Have It

The prototype of a song I listen to on endless repeat as I work or do most anything else. In fact I listened to it, and to its slightly longer variation, 7:20 A.M. Jullander Shere, for months while working on QA for King of Dragon Pass, and for weeks before that while designing a flawed-but-interesting Magic: the Gathering miniatures game. That was several years before getting hired at WotC. My design used the five mana symbols as die results that gave different commands to units (Red: charge, White: Defend) as well as activating powers. It was hugely baroque. At the time I didn’t know that simply baroque was too much. But it was the second game system I’d designed and the first from scratch, so the song has many powerful associations . . . .  

99.9 F

Suzanne Vega; 99.9 F

An older tune, back from the years just after college, in my case. I got sick the night a friend had a ticket for me to one of her shows and if you're going to carry regrets, let them be about missed concerts. 

Gaming this week: Book of the Underworld, Wingspan, Cypher System

The wonderful car-web photo above was taken by Lisa Eschenbach, and I'm using it to acknowledge that I finished the development phase on Gareth Ryder-Hanrahan's Book of the Underworld earlier this week. Yeah, it took a few weeks longer than I expected. The book is now with the editor. All the art is coming in on schedule so it won't be too long before it's in layout.

Also this week, I made huge progress on two new designs. The secret card/boardgame I've been designing for my own personal satisfaction has achieved harmony. Players have been enjoying it for awhile, and now I'm also simply having fun rather than seeing things that need fixing. Notably, I'm no longer winning every game. There's a specific type of imbalance when the designer's advantage in knowing what might be unbalanced pays off too often. Happily, I'm losing now, so that development phase is over.  I'll be looking for a publisher soon.

Meanwhile on a different unannounced boardgame project that has a publisher already, I solved the last of the design problems that was bugging me and am making a pass through the cardset and other components to live up to the new solutions. I'm looking forward to playtesting next week.

I also enjoyed a couple first-plays this week. I've only been able to find the European supplement for Wingspan, but friends Brittany and Miguel brought over the core game. We all loved it. Lisa used the Audubon app on her phone to accompany turns with the calls of the newly played birds. Brittany arranged a ridiculous combo and stuffed what she called a 'Christmas goose' with 20 VP, so curses accompanied the bird calls.

I also got to play my first game of the Cypher system, in a highly diverting fantasy genre session run by Bruce Cordell. I had fun as a Resilient Speaker Who Keeps a Magic Ally. Specifically, I'm playing a priest of a war god that died in apocalyptic fashion (the god I mean), and now I get my spells from random deities, changing every day, who are using me as an experiment, or a bet, or something. More or less a One Unique Thing that will definitely make for fun prayers. Also: I'm a kite-fighting and bocce ball aficionado. My comrades are considerably doughtier (more on them next time), so all shall be well.

And though we didn't play The Gods War this week, it launched a Kickstarter with Gloranthan gods of War, Secrets, and Magic, and I'm pretty sure I never shared this method-acting photo from our Gods War game. From right to left, Sean pulled faces as Chaos, Jonathan was a stickler-for-rules Solar, and I was a Storm player who never rolled a 6 after mistakenly using a wargaming plan in an area control universe. The sword was an attempt to compensate for 6-less-ness. Paul, the Darkness troll photographer, ate us all.